Their recorded music can be dark, dense and the lyrics ambiguous, but when you watch them live that kinetic energy is unmistakable. Apparent, visceral and highly addictive.

Alloysious Massaquoi, Kayus Bankole and G. Hastings met as kids and set their bodies against the tide. From the beginning they were obstinately not going to do what was expected.

Under disparate influences that ranged from Enya to Suicide, they began to create the unique sound of their early albums, Tape One, Tape Two, the Mercury Awardwinning DEAD, and then the face slap to the world, White Men Are Black Men Too and their second SAY Award winner, Cocoa Sugar, where the sound was refined and almost bent back, like a disjointed thumb, into an unnatural position.

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