The Cantor Arts Center at Stanford University acquired Untitled (LC.012, Wall of Masks) in 2020. These 233 masks, which originally hung on the exterior of Ruth Asawa’s family home in Noe Valley, have never been shown in their entirety outside their original context. After two years of conservation treatment and careful planning, they were mounted as part of the long-term installation, The Faces of Ruth Asawa, at the Cantor. This presentation, curated by Aleesa Pitchamarn Alexander, PhD, Robert M. and Ruth L. Halperin Associate Curator of Modern and Contemporary Art and co-director of the Asian American Art Initiative, explores Asawa’s intimate relationship with clay and offers a new context with which to understand her diverse body of work.

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